Softboxes are readily and cheaply available in many shapes and sizes. You can also try changing the angle of the light to avoid seeing a background shadow. If you can, move both your subject and your light source farther away from the background. Separating your subject from the background can help alleviate this problem. The light from your softbox may cause a shadow on the background if your subject is too close to it. Is Your Subject Far Enough Away From the Background? This is even more important when you are photographing glass or other highly reflective surfaces. If you don’t like it you will need to move the softbox to a different angle or farther away.įor still life or product photography, it’s important to pay careful attention to how the reflection looks. Because the light source is large it can be more noticeable.Ī softbox reflection in someone’s eyes will be noticeable. What Does the Reflection of Your Softbox in the Subject Look Like?Ī highly reflective subject will bounce the light back into your camera. One softbox and one reflector with a second flash bouncing off it. You can use more than one softbox or any other light source that you have available. Use additional light sources to help fill in shadows. The sunlight will balance with your exposure. You can choose to use your softbox as the main light or as a fill light. When you are working outdoors with a softbox you will need to take into account the effect of sunlight on your subject. Adding in one or more lights will influence the amount and quality of the light. If you are working with more than one light source the answers to the previous questions will be different.
LOMO STUDIO SOFTBOXES HOW TO
How to Use a Softbox as a Secondary Light Having a powerful light gives you more flexibility when using softbox photography lighting. There will be considerably less light if you are using an unmodified light source.Įach softbox will differ in the amount of diffusion and output. This depends on how powerful your softbox light is. Review them to see where the shadows are falling.
LOMO STUDIO SOFTBOXES SERIES
When you’re using a flash you will need to take a series of test photos. Working with studio strobes with modeling lights or continuous lighting makes this easier. Finding the best angle for softbox placement requires you to look at where the shadows will be. If you position the softbox above your subject it will cast shadows over their eyes and under their nose and chin. This is where it will provide the most flattering light. When shooting portraits you want to keep the softbox on your subject’s best side. The angle at which you place your light will influence the look of your photo. This is important when your softbox is your only light source. The farther away your softbox is, the harder edges the shadows will have.īringing the softbox in very close to your subject will help eliminate most of the shadows. Placing your softbox as close as possible to your subject will provide you with the softest light. Look to see that the light is not dropping off at the extremities of your subject. If the softbox is too close to your subject it may not be illuminated well enough. You need to position the softbox far enough from your subject so that it is evenly lit. How Far Should the Softbox Be From the Subject? One softbox above the subject in a studio. This will help you determine the answers to most of these things. Keep in mind the style of lighting you are wanting to create for your photos. the proximity of the softbox to your subject.Working in a studio setting, or anywhere a softbox will be the main light, you need to consider: You can also use softbox lighting as a secondary or fill light. How To Use a SoftboxĪ softbox can be used as a main, or key light. These will soften the light even more or make it more directional. You can adapt some softboxes for further modifications. The bigger the softbox is the softer the light will be. Softboxes come in various shapes and sizes.
They do tend to spread light over a wider area of about 180 degrees. Photographic umbrellas are another popular way to diffuse light. Light is contained within the box and emitted through the front covering about a 90-degree angle. When the light is opened the light is diffused by the reflective interior and nylon baffles. Some softboxes also have a white nylon baffle inside to further soften the light.Īt the rear of the softbox is an opening in which the light source is placed. The front of the softbox is made from translucent white nylon. Softboxes are made of opaque polyester or nylon and have reflective interiors. A softbox is an attachment for a photography studio light or flash.
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